Manorial mediality and intermediary in the post-Soviet Russian poetry

In the post-Soviet Russian poetry, manor and manor life are almost always depicted not as part of the history or the history of culture, but as part of the functioning of the media, as the manor on a photograph, in a movie, on a television or radio show. This mediation of the estate is primarily associated with the formal search for the newest Russian poetry, due to the need to combine the legacy of classical Russian poetry with the new media capabilities of the text, as well as to comprehend these possibilities as they are, taking the fundamental experience of familiarity with local culture. A careful analysis of the motive makes us to understand exactly how today poetry appeals to the media context, and how interest in cultural traditions contributes to innovations in the field of the theory and practice of media arts.