Aesthetics of representation in theatre of Agustin Moreto

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The article focuses on the Spanish playwright A. Moreto's famous comedies such as El lindo don Diego and El parecido en la corte from the perspective of representation understood according to the philosophic and aesthetic interpretation of the term in C. Ginzburg's and M. Yampolsky's works. Attention is given to metatheatricality of A. Moreto's plays.

A. moreto, spanish theatre of the golden age, representation, illusion, metatheatre, el lindo don diego, el parecido en la corte

Короткий адрес: https://sciup.org/14914445

IDR: 14914445

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