The pseudonymous code of G. Chkhartishvili

This paper sets out to systematize the multiple pseudonyms used by the contemporary writer G. Chkhartishvili. These are B. Akunin ( The Adventures of Erast Fandorin, The Adventures of Sister Pelagia, a series of novels The Adventures of the Master, the project Genres, the plays The Seagull, Yin and Yang, the project The History of the Russian State ), Boris Akunin and Grigory Chkhartishvili ( Cemetery Stories ), Akunin-Chkhartishvili ( Aristonomy, Another Way ), Grigory Chkhartishvili ( The Writer and Suicide ), Anatoly Brusnikin ( Devyatny Spas, Hero of Another Time, Bellona ) and Anna Borisova ( Kreativschik, There, The Seasons ). We investigate reasons for the multiplicity of Akuninian pseudonyms, a strategically honed system of which contributes to his authorial image. It is shown that, while the commercial pseudonyms are aimed at promoting his new literary projects and are implemented through a conspiracy game played with the reader, the creative ones serve to manifest the author’s breadth of interests and philological knowledge such that every new pen name triggers a new writing strategy and a new creative tactic. The analysis of various literary masks’ influence on the author’s creative outcome shows that each pseudonym is ‘placed’ in the literary, genre or artistic time of the text. B. Akunin is primarily the author of historical retro-detective stories, whereas adventure novels are signed by the pen name of A. Brusnikin. A. Borisova ‘writes’ prose set in the present day. From the very beginning, the author ’s real name has been always assigned to his serious literature. The authorial system of names is being constantly refined, distinguishing B. Akunin, the fiction writer, from G. Chkhartishvili, the elite literature writer, in the novels Aristonomy and Another Way the twinned name Akunin-Chartishvili deliver another conceptual image. In conclusion it is stated that the abundance of Chartishvili’s pen names evinces the author’s intellectual and personal intrigue, which points to multiconceptual character of their pseudonymous code, being auto- and self-marketing, creative auto- and self-identification.