Without the cross. Dostoevsky as performed on the modern stage. Elimination of Christianity context in F. Dostoevsky's works as classic texts censoring issue

Автор: Koksheneva Kapitalina Antonovna

Статья в выпуске: 2 (28), 2017 года.

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Keywords: modern theatre, interpretation, classics, tradition, freedom, art in Russia, stage direction, theatre criticism

Короткий адрес: https://sciup.org/170174362

IDR: 170174362

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